CAGED — five doors up the neck
v2 deepen: this page is full CAGED depth. The lite doors live in the Scales shape lab. Also: Scales · Modes · Jazz
CAGED names five open major chord shapes — C, A, G, E, D — and treats them as movable doors. Slide a shape, keep the same intervals, and you can find the same major chord (and its scale tones) anywhere on the neck. This is v2 depth; CAGED-lite technique lives on Scales.
Play buttons below use GuitarScales CAGED systems and open diagrams from
GuitarCore. One model at a time; tempo follows the metronome.
What CAGED is / is not
It is: a memory system linking five open chord forms to five overlapping scale / arpeggio neighbourhoods. Learn open C, A, G, E, D first (Open chords), then move each form so a chosen root sits under the same finger geometry.
It is not: a claim that every song uses only these voicings; not a substitute for reading or ear training; not the only neck system (3NPS and five-position majors live on Scales · shapes). Jazz harmony depth will expand on Jazz.
v1 note: Exercises keeps CAGED-lite — enough named doors to move. This page is the v2 course.
Five major chord forms
Open seed shapes. Click a diagram to hear the strum; the lab below moves the matching scale / chord-tone map to any root.
C form
A form
G form
E form
D form
GuitarScales.
Connecting scale shapes through CAGED
Each chord form sits inside a major-scale neighbourhood. When you know the E-form door for G major, the next door up is often the D-form (or A-form, depending on which overlap you prefer) — same root, new hand position. Practice:
- Play chord tones (1–3–5) inside one CAGED letter.
- Fill the same box with the full major scale (Play scale in lab).
- Slide to the next letter for the same root and repeat.
Parent maps: Scales. Mode colour inside a door: Modes · shapes.
Finding any major chord up the neck
Pick a root (say F). Find that pitch on the low E or A string, then drop the matching open form so its root lands there:
- E form — root on low E (barre the open-E geometry).
- A form — root on A string.
- C / G / D forms — roots on their characteristic strings; use the lab highlight (squares = roots) until the geometry is automatic.
Barre habits for movable E and A forms also live on Barre chords.
Minor via relative / Em & Am forms
Relative minor: take a major CAGED door and treat degree 6 as home (C major neighbourhood → A Aeolian colour). Same frets, new tonic — same idea as Modes · relative.
Parallel minor doors: Em and Am open forms (plus Dm / Gm / Cm neighbours)
are the CAGED-lite minor set. In the lab, switch Quality to minor to load
cagedMin.
Em seed
Am seed
CAGED lab
Root + CAGED letter + quality. Play chord tones (1–3–5) or the full scale in that shape.
Suggested order
- Clean open C A G E D on Open chords.
- Move the E form and A form for one root (lab + barre).
- Add C, G, D forms for the same root — tour all letters.
- Chord tones, then full scale inside one door.
- Minor via Em / Am; optional relative view with Modes.
A 10-minute CAGED routine
- 2 min — strum the five open forms (diagrams above).
- 3 min — one root, E form then A form (chord tones).
- 3 min — full scale in one letter; next letter up.
- 2 min — Em or Am door, or a mode lean on Modes.
Lite gym stays on Scales · scale shapes (CAGED-lite).