Sangeet Yatra

Exercises — Applied practice

Drills clean your bols. Apply them here: TiRaKiTa speed work, call-and-response, bass independence, mini tihai, and song grooves (Keherwa, Dadra, Teentaal pocket). ▶ loops a row; click a bol to audition.

TiRaKiTa application Roll

Four quick strokes in one cell, then land on Na. Start ~60 BPM; climb when even.

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TiRaKiTa Na TiRaKiTa Na
  • Even spacing inside the roll
  • Na lands on time

TiRaKiTa speed pyramid Warm-up

Same cell as above: 4× slow → 4× medium → 4× fast → down. Or BPM ladder 60 → 72 → 84 → 96.

  • Roll stays even at the top tempo

Call & response Ears

Call on the first half; answer on the second. Don’t fill rests.

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Dha Ge Na Te Te Na

Mini tihai Cadence

Seed phrase — say it, then play. Grow to three repetitions into sam later.

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Dha TiRaKiTa Dha Dha TiRaKiTa Dha

Bass ostinato (Ge / Ka) Bayan

Steady bayan pulse; dayan stays light. Bass must not follow the treble.

1&2&3&4&
Ge Na Ge Tin Ge Na Ka Tin

Keherwa song-groove 8-beat

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Dha Ge Na Ti Na Ka Dhi Na
  • 2 minutes without losing beat 1

Dadra song-groove 6-beat

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Dha Dhin Na Dha Tin Na

Teentaal — four vibhags 16-beat

Lock each 4-beat group, then loop the full cycle. Khali is vibhag 3 (no bass feel).

Vibhag 1 (sam)

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DhaDhin DhinDha

Vibhag 2

5678
DhaDhin DhinDha

Vibhag 3 (khali)

9101112
DhaTin TinTa

Vibhag 4

13141516
TaDhin DhinDha

Full theka (one row)

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DhaDhinDhinDha DhaDhinDhinDha DhaTinTinTa TaDhinDhinDha
  • Can loop vibhag 1 ×4, then full 16 without rushing
  • Khali half feels lighter (lift bayan)

Rupak — 7 beats Odd

Starts on the khali feel. Count 3+2+2. Target 60 → 100 BPM.

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TinTinNa DhinNa DhinNa
  • Cycle turns cleanly without adding an 8th beat

Groove switch Musical

4 cycles Keherwa → 4 Dadra → back, same BPM. Sam must stay clear.

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