One hole at a time
Do not learn all seven notes at once. Change one finger (one hole) per day or per session. After Ma the pattern changes shape — that bridge is the whole point of this page.
The path at a glance
- Sa — three closed · lift nothing
- Re — lift one finger (hole 3, farthest of the top three)
- Ga — lift one more (hole 2)
- Ma♯ — lift the last top finger (hole 1) · all open
- Pa — stop lifting · new fingering (see bridge)
- Dha → Ni → Sa' — open from the bottom or overblow Sa
Rule: Sa→Re→Ga→Ma is “open one more hole from the top.” Pa is not “open one more” — there is no hole left. You reset.
Step 1 · Sa only (lock the home)
Fingers: top three closed · bottom three open
· XXXOOO
One job: match the practice-bar drone. No other notes yet.
- Hold 4–5 seconds · rest · repeat ×10
- If the tone dies when you cover holes, seal pads fully (mirror helps)
S · S · S · S · S
Step 2 · Add Re (lift one finger)
Change: from Sa, lift only the 3rd hole finger (lowest of the three covered — usually left ring on a right-handed hold). Keep holes 1 and 2 closed.
Re
· XXOOOO
Drill idea: move only that one finger. Everything else frozen.
S R S R S
S S R R S
Step 3 · Add Ga (lift one more)
Change: from Re, lift the 2nd hole finger. Only hole 1 stays closed.
Ga
· XOOOOO
S R G R S
R G R G R
Step 4 · Add Ma♯ (lift the last top finger)
Change: from Ga, lift hole 1 — all six open.
Tivra Ma (M)
· 000000
This is the easy “Ma” for beginners. Shuddha Ma (half-hole) comes later — see Ma vs Ma♯.
S R G M G R S
G M G M G
Step 5 · After Ma — the Pa bridge
Pick one Pa method (stay with it for a week)
| Method | Code | What you do |
|---|---|---|
| A · Teacher fork (recommended if your guru uses it) | 0XXXXX |
From Ma (all open): close holes 2–6, leave hole 1 open. Or from Sa: close bottom three, then open only the top hole. |
| B · Overblow | XXXXXX |
Cover all six (same as mandra Pa), but use faster / smaller air so the higher Pa speaks. Check a clean fifth vs Sa drone. |
| Beginner soften | half-open top | Same as A but crack the top hole — often easier than fully open. |
Detail: why these are Pa.
Transition drill (Ma → Pa → Ma)
Do this slowly with eyes on the fingers — it is a reset, not a slide of one finger.
- Play Ma (all open).
- Freeze air for a split second · plant the Pa fingering (A or B).
- Blow Pa · match drone (fifth above Sa).
- Return to all-open Ma · then home to Sa.
S R G M P M G R S
When you hear P, use your chosen Pa fingering on the flute.
M P M P M
Step 6 · After Pa → Dha, Ni, Sa'
If you use Pa method B (all closed overblown)
Now open from the bottom, one hole at a time — same “one finger” idea, other end of the flute:
| Swar | Code | One-finger change |
|---|---|---|
| Pa | XXXXXX | All closed (strong air) |
| Dha | XXXXXO | Open bottom hole only |
| Ni | XXXXOO | Open next hole up |
| Sa' | XXXOOO | Same as Sa fingering, keep the high air — octave up |
If you use Pa method A (0XXXXX)
Stay on that Pa until it is solid. Then either:
- Switch to method B for Dha–Ni–Sa' (many beginners do), or
- Learn the high forks later: D'
XXOOOX, N'XXOXOO, S''XOXOOO— high register chart.
P D N S'
S R G M P D N S'
Bonus · Notes below Sa (optional)
From Sa, cover more holes downward (one at a time) — descending under the tonic:
| Swar | Code | Change from Sa |
|---|---|---|
| Sa | XXXOOO | Home |
| ,N | XXXXOO | Close hole 4 |
| ,D | XXXXXO | Close hole 5 |
| ,P | XXXXXX | Close hole 6 · gentle air (low Pa) |
S ,N ,D ,P ,D ,N S