Solo exercises
A minor pentatonic at fret 5: index on 5, ring on 7, pinky on 8. Squares are A, the root. These are gym-length box-1 cards; phrasing expands on Solo drills. Scale and mode maps live on Scales and Modes.
Technique path: Drills · Exercises · this page
Each card has pedagogy, TAB (high e on top — see Foundations · TAB), and Play. One model at a time; Play becomes Stop. Tempo follows the metronome.
Suggested order
- Box 1 up/down.
- In pairs.
- Three-note cell with a rest.
- Hammer / pull cell.
- Half-step bend model.
- Am triad arpeggio.
- Lead box variants — any root × the variant list.
Beginner
Box 1 up and down, one note per click. Last note as clean as first.
Intermediate
Pairs. Three-note cell with a rest. Hammer / pull.
Advanced
Bend model. Am arpeggio. Variants on other roots. Then Solo drills.
Lead · box 1
Same box as Rock drills · pentatonic and Solo drills · up and down. Shape systems: see Scales.
Am pentatonic box 1 up/down
One note per click, low E to high e and back. No speed. The last note of the descent must be as clean as the first note of the ascent.
e|---------------5-8- B|-------------5-8--- G|-----------5-7----- D|---------5-7------- A|-------5-7--------- E|-5-8---------------
Box in pairs
Play notes 1-2, then 2-3, then 3-4, and so on up the box. Sequencing is how a scale starts sounding like music instead of an exercise.
E|-5-8-8-5- then A 5-7, 7-5, …
Forces the picking hand to keep working while the left hand overlaps.
Three-note cell with a rest
G string 5, G string 7, B string 5 — then wait a full beat. Repeat. That silence is not a gap; it is the drill. Say the cell out loud in the rest.
e|----------------- B|--------5-------- G|-5--7------------ D|----------------- then a full beat rest
Deeper: Solo drills · three-note cell.
Hammer / pull cell
Pick G fret 5, hammer 7, pull back to 5. Only the first note is picked. Unpicked notes as loud as the picked one.
G|-5h7p5-|
Left-hand version lives in Exercises · hammer-on cell.
Half-step bend model
B string fret 8, ring finger with index and middle behind for support. The model plays the start note, then the target fret 9 — match the bend by ear, not by how far your hand moved.
B|-8b9-| match fret 9
Deeper: Solo drills · half-step bend.
Am triad arpeggio
A C E across the neck at frets 5–7. Alternate pick, one note per click. Slow version of a sweep — land every note.
e|----------------5- B|-------------5---- G|----------5------- D|-------7---------- A|----7------------- E|-5----------------
Deeper: Solo drills · Am arpeggio.
Practice note
How long: 8–10 minutes. Two on box 1 even, four on one variant or cell, two on a bend or arpeggio at half tempo.
Listen for: even volume, and rests that actually rest.
Then deepen: Solo drills (economy, sweep, tapping, harmonics, four bars over a loop). Maps: Scales · Modes. When box 1 is honest but stale: Break rut. Pick path: Alternate · Economy · Sweep picking.