Sangeet Yatra
From theory — Counting syllables live on Western theory · Note values. This page is drum notation: a column is a moment, and the marks name the kit.

Reading and playing your first groove

A column is a moment in time. Everything in the same column happens together, and you play that column with the limb the piece belongs to. The columns run left to right, then loop back to the start.

Grid or staff

The same groove, written two ways. Read the grid, or read the staff. Every groove on this page, and on the pages after it, is written both ways.

The grid

A column is a moment. A mark says what plays. Three marks are enough for the beat below. The others show up on the page that first plays them.

MarkMeans
×A closed hi-hat. The row says so.
●A kick or a snare. The row says which.
·A rest. Nothing is played, but the moment still passes.
A rest is not nothing. It is a column like any other. The commonest reading mistake is skipping the rests and playing the marks back to back, which turns a groove into a rush.

The staff

Five lines. Height picks the piece. Lines and spaces are counted from the bottom. An × is a cymbal, or the hi-hat pedal. A round note is a drum. Stems up are the hands. Stems down are the feet.

PieceOn the staff
CrashAn × on a short line above the staff.
Hi-hatAn × in the space above the top line. The pedal is an × in the space below the bottom line, stem down.
RideAn × on the top line. The bell is a diamond.
High tomA round note in the top space.
Mid tomA round note on the fourth line.
SnareA round note in the third space. Stem up.
Floor tomA round note in the second space.
KickA round note in the bottom space. Stem down.

Every piece, low to high, drawn the way the grooves below are drawn. The same key is Figure 10 on the sight-reading page.

Counting

The header row is how you say the bar out loud. This page is eight words: “one and two and three and four and”. The numbers are the four beats. Each “and” is halfway to the next one, and every word is one column. The names for those lengths live on Western theory · Note values. The smaller divisions, “e” and “a”, wait until Eighths and sixteenths.

Play it

One rock beat, one limb at a time. Do not add the next limb until the one you have is even. The box labeled BPM at the bottom of the screen is the speed, in beats per minute. It starts at 90. Type 60. That is one beat a second, and it will feel slow. Stay there. Rushing a new groove just teaches the rush. Say “one and two and three and four and” the whole way through. Each word is one column, and you play what that column shows.

Pattern click, under More, is a tick on each beat. It is not the speed. Leave it on, and say the count with it.

No kit yet: right hand on your right leg, left hand on your left leg, right foot on the floor. The limbs are the lesson. When you pick up sticks, the grip is on How to sit.

× closed hat · ● kick or snare · · rest. The staff under each grid is that same groove. Press ▶ to loop it. One groove plays at a time. Click one mark to hear just that sound.

Limb independence

Say “one and two and three and four and” until the eight words are even. Then one limb, on its own words. The kick first. The snare next. They are not in the same bar yet.

  1. Kick alone. Right foot on “one” and “three”. Say every “and”, and play nothing there. If the foot rushes to the next number, the ands got skipped.

  2. Snare alone. Left hand on “two” and “four”. The kick stays quiet. Same eight words. The hand that lands on “one” is early.

All three

Kick, snare, and hat, in that order. The kick and the snare already know their words. The hat is the new one, and the left foot holds it shut, which is what makes each hat hit short. That short hit is the ×.

  1. Kick and snare together. They take turns: foot on “one” and “three”, hand on “two” and “four”. Landing on the same word means one of them moved.

  2. Hat on the numbers, with those two. The right hand lands with the kick on “one” and “three”, and with the snare on “two” and “four”. Each “and” is still empty.

  3. Hat on every word, including each “and”. Kick and snare stay on the numbers. This is the basic rock beat. When the hand, the foot, and the count land in the same columns, you are playing the groove you are reading.

If the three fall apart, go back to the limb that slipped, alone, still at 60. A book like The New Breed comes after this beat is boring. It is on Resources.

Four on the floor

Move the right foot to every number: kick on “one”, “two”, “three” and “four”. Hat and snare stay where they were. Only one limb changed, and the same bar turns into something you can dance to.

Only then, a little faster. Once the beat is even at 60, type 70 and press ▶ again. If it stumbles, go back. Speed is a by-product of evenness, and practising an uneven groove faster just makes it uneven faster.

Before you go on

  • Kick alone, then snare alone, each even for a minute at 60, saying every “and”
  • The basic rock beat for one minute at 70 BPM without a stumble
  • Four on the floor for one minute at 70 BPM
  • Switch between the two without stopping
  • Turn on the pattern click and stay with it