Economy picking — join at the string change

Economy picking is how you run long scale shapes (especially 3 notes per string) without string-hopping: alternate on one string, then at a string change take the shortest path. That repeated direction is the join (= on the RH / X rows) — intentional, not a mistake.

Technique path: Alternate first · this page · Economy lab · Scales / Modes · Sweep for chord-tone outlines

What this module trains: hear and feel the join without smearing like a strum. On one string you still alternate. Across strings you may get two downs (or two ups) in a row — that is the point when a scale wants to keep climbing.

TAB footers match Alternate: LH, RH (D=/U= marks joins), X (= join, o/i crossings when not joining), note names.

Scales job — why economy exists

Economy is the picking design for 3NPS major and mode shapes: odd notes on a string let the pick continue into the next string (a join). That is how scalar runs cover the neck without fighting the alternate clock.

3NPS cells here are scale fragments: D–G–B–e frets are the same family you open fully on Scales / Modes — say the note names while you join.
Odd continue / even turn: engineer the scale line (3+2+3, U-turn) so joins appear where the melody goes, not by accident.
2→4→6: grow one scale shape across the neck the same way Alternate does for pentatonics.
Lab: Economy lab · Scale shape defaults to 3NPS — A/B with Alternate on the same map. When the line becomes chord tones only, graduate to Sweep.

Order: hear alt vs econ on open G–B–e → ascending / descending joins → progressive 3NPS and 2NPS (2→4→6 strings) with 3-string as the mid step → U-turn → fives → into a three-string rake → six-string ascending → engineer 3+2+3 → descending 3NPS from e. Rest-stroke length across adjacent strings continues on Sweep.

4/4 updowns: multi-string updown cells repeat the peak so the length is even (friendly for bars of 4/4) — same convention as Alternate.

Odd continue / even turn: odd notes on a string keep the pick moving the same way into the next string (a join). Even notes reverse the stroke at the change — same as alternate would. That is the Gambale job (engineering the line), not a copied etude book.

Lesson 1 · Hear the join · open G B e

Same three open notes. Left card is strict alternate; right card is economy (two joins).

Alternate · D U D

Scale: open G, B and e: G B E. Those are the notes of an E minor chord, not a scale.

e|-----------0
B|-------0----
G|---0--------
D|------------
A|------------
E|------------
LH   0   0   0
RH   D   U   D
X:       o   i
     G   B   E

Economy · D= D= D

Pick keeps going down across G→B→e. Hear the joins; do not strum — each string still speaks alone.

Scale: open G, B and e: G B E. Those are the notes of an E minor chord, not a scale.

e|-----------0
B|-------0----
G|---0--------
D|------------
A|------------
E|------------
LH   0   0   0
RH  D=  D=   D
X:       =   =
     G   B   E

Lesson 2 · Ascending join · D5–7–9 then G5

Three on D, join onto G

On D: D U D. The next note is higher (G), so economy wants another down — join marked =.

Scale: G major: G A B C (scale notes 1 to 4).

e|----------------
B|----------------
G|---------------5
D|---5---7---9----
A|----------------
E|----------------
LH   1   2   4   1
RH   D  U=  D=   D
X:           =   =
     G   A   B   C

Lesson 3 · Descending join · start up

G9–7–5 then D9 · start U

Toward the floor of the neck (lower pitch / lower string): joins are ups. First stroke is an upstroke.

Scale: G major: E D C B, walking down from E.

e|----------------
B|----------------
G|---9---7---5----
D|---------------9
A|----------------
E|----------------
LH   4   2   1   4
RH   U  D=  U=   U
X:           =   =
     E   D   C   B

Lesson 4 · 3NPS · progressive 2→4→6

Two strings · D G

D5–7–9 G5–7–9 and back — repeat the peak for twelve eighths. Compare with Alternate lesson 8: here the ascending change joins.

Scale: G major, three notes per string: G A B C D E (scale notes 1 to 6, G is home).

e|------------------------------------------------
B|------------------------------------------------
G|---------------5---7---9---9---7---5------------
D|---5---7---9---------------------------9---7---5
A|------------------------------------------------
E|------------------------------------------------
LH   1   2   4   1   2   4   4   2   1   4   2   1
RH   D  U=  D=   D   U   D   U  D=  U=   U   D   U
X:           =   =                   =   =        
     G   A   B   C   D   E   E   D   C   B   A   G

Four strings · D G B e

Same frets on D–G–B–e, then reverse including the peak — twenty-four eighths (three bars of 4/4).

Scale: G major, three notes per string: G A B C D E F#. That is G up to D an octave higher, then back.

e|---------------------------------------7---8--10--10---8---7------------------------------------
B|---------------------------7---8--10--------------------------10---8---7------------------------
G|---------------5---7---9---------------------------------------------------9---7---5------------
D|---5---7---9---------------------------------------------------------------------------9---7---5
A|------------------------------------------------------------------------------------------------
E|------------------------------------------------------------------------------------------------
LH   1   2   4   1   2   4   1   2   4   1   2   4   4   2   1   4   2   1   4   2   1   4   2   1
RH   D  U=  D=   D  U=  D=   D  U=  D=   D   U   D   U  D=  U=   U  D=  U=   U  D=  U=   U   D   U
X:           =   =       =   =       =   =                   =   =       =   =       =   =        
     G   A   B   C   D   E  F#   G   A   B   C   D   D   C   B   A   G  F#   E   D   C   B   A   G

Six strings · full neck

E 3–5–7, A 3–5–7, D 4–5–7, G 4–5–7, B 5–7–8, e 5–7–8, then reverse including the peak — thirty-six eighths. One-way ascending lives in lesson 10.

Scale: G major, the full three-notes-per-string shape: G A B C D E F#. Low G on the E string up to C on the high e, then back.

e|---------------------------------------------------------------5---7---8---8---7---5------------------------------------------------------------
B|---------------------------------------------------5---7---8---------------------------8---7---5------------------------------------------------
G|---------------------------------------4---5---7---------------------------------------------------7---5---4------------------------------------
D|---------------------------4---5---7---------------------------------------------------------------------------7---5---4------------------------
A|---------------3---5---7---------------------------------------------------------------------------------------------------7---5---3------------
E|---3---5---7---------------------------------------------------------------------------------------------------------------------------7---5---3
LH   1   2   4   1   2   4   1   2   4   1   2   4   1   2   3   1   2   3   3   2   1   3   2   1   4   2   1   4   2   1   4   2   1   4   2   1
RH   D  U=  D=   D  U=  D=   D  U=  D=   D  U=  D=   D  U=  D=   D   U   D   U  D=  U=   U  D=  U=   U  D=  U=   U  D=  U=   U  D=  U=   U   D   U
X:           =   =       =   =       =   =       =   =       =   =                   =   =       =   =       =   =       =   =       =   =        
     G   A   B   C   D   E  F#   G   A   B   C   D   E  F#   G   A   B   C   C   B   A   G  F#   E   D   C   B   A   G  F#   E   D   C   B   A   G

Lesson 5 · Three-string 3NPS updown

Mid step · D G B

Add B 7–8–10 between the two- and four-string cells. Peak repeated — eighteen eighths. Then lesson 4b / 4c for four and six strings.

Scale: G major, three notes per string: G A B C D E F#. That is G up to A on the B string, then back.

e|------------------------------------------------------------------------
B|---------------------------7---8--10--10---8---7------------------------
G|---------------5---7---9---------------------------9---7---5------------
D|---5---7---9---------------------------------------------------9---7---5
A|------------------------------------------------------------------------
E|------------------------------------------------------------------------
LH   1   2   4   1   2   4   1   2   4   4   2   1   4   2   1   4   2   1
RH   D  U=  D=   D  U=  D=   D   U   D   U  D=  U=   U  D=  U=   U   D   U
X:           =   =       =   =                   =   =       =   =        
     G   A   B   C   D   E  F#   G   A   A   G  F#   E   D   C   B   A   G

Lesson 6 · 2NPS progressive · 2→4→6 · then fives

Two strings · D G · no ascending join

Even counts per string on the way up: economy and alternate look the same at those changes (X shows i). Peak repeated for eight eighths (one bar of 4/4); the turn can still show joins on the reverse.

Scale: G major, two notes per string: G A C D. B is skipped, so this is a slice of the scale.

e|--------------------------------
B|--------------------------------
G|-----------5---7---7---5--------
D|---5---7-------------------7---5
A|--------------------------------
E|--------------------------------
LH   1   3   1   3   3   1   3   1
RH   D   U   D   U  D=  U=   U   D
X:           i           =   =    
     G   A   C   D   D   C   A   G

Four strings · D G B e

2NPS 5–7 on D–G–B–e, then reverse including the peak — sixteen eighths (two bars of 4/4).

Scale: G major, two notes per string: G A C D E F# B. Some scale notes are skipped, so it trains the picking, not the scale.

e|---------------------------5---7---7---5------------------------
B|-------------------5---7-------------------7---5----------------
G|-----------5---7-----------------------------------7---5--------
D|---5---7---------------------------------------------------7---5
A|----------------------------------------------------------------
E|----------------------------------------------------------------
LH   1   3   1   3   1   3   1   3   3   1   3   1   3   1   3   1
RH   D   U   D   U   D   U   D   U  D=  U=   U   D   U   D   U   D
X:           i       i       i           =   =       i       i    
     G   A   C   D   E  F#   A   B   B   A  F#   E   D   C   A   G

Six strings · full neck

2NPS 5–7 on every string E→e, then reverse including the peak — twenty-four eighths (three bars of 4/4).

Scale: G major, two notes per string: A B D E G C F#. Some scale notes are skipped, so it trains the picking, not the scale.

e|-------------------------------------------5---7---7---5----------------------------------------
B|-----------------------------------5---7-------------------7---5--------------------------------
G|---------------------------5---7-----------------------------------7---5------------------------
D|-------------------5---7---------------------------------------------------7---5----------------
A|-----------5---7-------------------------------------------------------------------7---5--------
E|---5---7-----------------------------------------------------------------------------------7---5
LH   1   3   1   3   1   3   1   3   1   3   1   3   3   1   3   1   3   1   3   1   3   1   3   1
RH   D   U   D   U   D   U   D   U   D   U   D   U  D=  U=   U   D   U   D   U   D   U   D   U   D
X:           i       i       i       i       i           =   =       i       i       i       i    
     A   B   D   E   G   A   C   D   E  F#   A   B   B   A  F#   E   D   C   A   G   E   D   B   A

3+2 five-cell · join appears

Three on D, two on G — odd count creates the ascending join. Peak repeated for ten eighths.

Scale: G major: G A B C D (scale notes 1 to 5, G is home).

e|----------------------------------------
B|----------------------------------------
G|---------------5---7---7---5------------
D|---5---7---9-------------------9---7---5
A|----------------------------------------
E|----------------------------------------
LH   1   2   4   1   3   3   1   4   2   1
RH   D  U=  D=   D   U  D=  U=   U   D   U
X:           =   =           =   =        
     G   A   B   C   D   D   C   B   A   G

Lesson 7 · U-turn

3NPS up, two notes on B, 3NPS down

Ascend D–G then two notes on B; reverse including the peak. Joins fire on the way up and again coming down — sixteen eighths.

Scale: G major: G A B C D E F#. The B string skips a note, so the line is a scale with one gap.

e|----------------------------------------------------------------
B|---------------------------7--10--10---7------------------------
G|---------------5---7---9-------------------9---7---5------------
D|---5---7---9-------------------------------------------9---7---5
A|----------------------------------------------------------------
E|----------------------------------------------------------------
LH   1   2   4   1   2   4   1   4   4   1   4   2   1   4   2   1
RH   D  U=  D=   D  U=  D=   D   U  D=  U=   U  D=  U=   U   D   U
X:           =   =       =   =           =   =       =   =        
     G   A   B   C   D   E  F#   A   A  F#   E   D   C   B   A   G

Lesson 8 · Economy fives updown

Five-note cell as a loop

Same 3+2 shape as lesson 6b — now treat it as the named “economy fives” gym cell (also on Loop cells). Peak repeated for even length.

Scale: G major: G A B C D (scale notes 1 to 5, G is home).

e|----------------------------------------
B|----------------------------------------
G|---------------5---7---7---5------------
D|---5---7---9-------------------9---7---5
A|----------------------------------------
E|----------------------------------------
LH   1   2   4   1   3   3   1   4   2   1
RH   D  U=  D=   D   U  D=  U=   U   D   U
X:           =   =           =   =        
     G   A   B   C   D   D   C   B   A   G

Lesson 9 · 3NPS into G B e rake

Scale fragment into rest-stroke

Three notes on D, then G–B–e as joined downs — the seed of a sweep. Full rest-stroke path: Sweep picking.

Scale: G major: G A B C E. G A B C is the scale; C E A is a jump across three strings.

e|-----------------------5
B|-------------------5----
G|---------------5--------
D|---5---7---9------------
A|------------------------
E|------------------------
LH   1   2   4   1   1   1
RH   D  U=  D=  D=  D=   D
X:           =   =   =   =
     G   A   B   C   E   A

Lesson 10 · Six-string 3NPS · ascending

One direction · E→e

Same frets as lesson 4c, one direction only (eighteen eighths). Full updown lives in lesson 4c.

Scale: G major, the full three-notes-per-string shape: G A B C D E F#, one direction.

e|---------------------------------------------------------------5---7---8
B|---------------------------------------------------5---7---8------------
G|---------------------------------------4---5---7------------------------
D|---------------------------4---5---7------------------------------------
A|---------------3---5---7------------------------------------------------
E|---3---5---7------------------------------------------------------------
LH   1   2   4   1   2   4   1   2   4   1   2   4   1   2   3   1   2   3
RH   D  U=  D=   D  U=  D=   D  U=  D=   D  U=  D=   D  U=  D=   D   U   D
X:           =   =       =   =       =   =       =   =       =   =        
     G   A   B   C   D   E  F#   G   A   B   C   D   E  F#   G   A   B   C

Lesson 11 · Engineer 3+2+3 · joins and a turn

Odd continue on D and B · even on G

Three notes on D (odd → join into G), two on G (even → no join / inside into B), three on B (odd → join on the reverse). Then reverse including the peak — sixteen eighths.

Scale: G major: G A B C D F#. The B string skips notes, so the line is a scale with gaps.

e|----------------------------------------------------------------
B|-----------------------7---8--10--10---8---7--------------------
G|---------------5---7---------------------------7---5------------
D|---5---7---9-------------------------------------------9---7---5
A|----------------------------------------------------------------
E|----------------------------------------------------------------
LH   1   2   4   1   3   1   2   4   4   2   1   3   1   4   2   1
RH   D  U=  D=   D   U   D   U   D   U  D=  U=   U   D   U   D   U
X:           =   =       i                   =   =       i        
     G   A   B   C   D  F#   G   A   A   G  F#   D   C   B   A   G

Lesson 12 · Descending 3NPS from e · start up

One-way e→B→G · U= joins

Eight eighths, no reverse — cleaner count for reading the descending joins. Start on an upstroke; toward lower strings the joins are ups (U=). Connects to rest-stroke length on Sweep.

Scale: G major: D C B A G F# E, walking down with gaps.

e|--10---8---7--------------------
B|--------------10---8---7--------
G|---------------------------9---5
D|--------------------------------
A|--------------------------------
E|--------------------------------
LH   4   2   1   4   2   1   4   1
RH   U  D=  U=   U  D=  U=   U   D
X:           =   =       =   =    
     D   C   B   A   G  F#   E   C

Ready for the lab: when the join is audible on lessons 2–6 and 10–12, open the Economy lab (2/4/6 presets, 4NPS, crawl, 4/4 updowns). Rest-stroke across many strings continues on Sweep.

Practice note

How long: 5 minutes. Always A/B lesson 1 first so the join is audible. Then one ascending or descending join lesson, then expand a multi-string cell 2→4→6 (3NPS lesson 4 or 2NPS lesson 6) or engineer 3+2+3.

Listen for: joins that still separate notes (not a strum); alternate between joins on the same string; even-length updowns that land in 4/4.

Then: Economy lab (3NPS Scale shape), Scales / Modes, Sweep, Lead · economy.