Loop cells mixing the motions

The end of the technique step. Each of these ten cells joins two or three of the motions you have just learned — alternate, economy, sweep, legato, hybrid, tapping — into one short loop. Pick one, loop it until the motion is a twitch, then stop. No target tempo — the click is a floor, not a race.

They assume the lesson pages: Alternate, Economy, Sweep, Legato, Hybrid and Tapping. If a cell falls apart, go back to the motion it uses.

Each card has pedagogy, note-for-note TAB (high e on top — see Foundations · TAB), and Play. One model at a time; Play becomes Stop. Tempo follows the metronome. Models are slow (two clicks per note) and repeat the cell four times so you can hear the loop join before you speed up on your own.

Couch-loop rule: the cell should survive half your attention. If it falls apart when you look away, slow down. Hands already awake first (chromatic or spider).
Not transcriptions. Cells here are original gym shapes. The jobs (cascade, sweep loop, economy in fives, selective picking, hybrid with an open string, mix three techniques, pedal doubles, octave tap, pick-jump) are the usual next motions after the technique lessons. Sources: Hal Leonard lead method (sequencing, alternate, hammer) · Berklee-style right-hand-to-click and economy/sweep as follow-through.

Suggested order

The ten cells

1 · Cascade threes

G major, third position. Play overlapping groups of three frets, low to high, then the same groups in reverse. On the way back, outside string crosses become inside crosses — that flip is the drill. Isolate the flip first on Alternate · outside / inside.

Model: slow · 4 loops · start metronome near 50–60

e|---------------------------------
B|---------------------------------
G|---------------------------------
D|-----------------------2---4---5-
A|-------------2---3---5-----------
E|-----3---5-----------------------
     |--grp1--| |--grp2--| |--grp3--|  then reverse grp3 grp2 grp1 …

2 · Sweep chain

Am triad at fret 5: sweep up, sweep down, pause, then the same at fret 7 (Bm). If notes flam, slow down — it is not a sweep yet. Pick path first: Sweep picking (lessons + Sweep lab). Deeper: Lead · arpeggios.

Model: slow · 4 loops · one note per click on the way up/down

Am (fret 5)                Bm (fret 7)
e|-----------5-------5-     e|-----------7-------7-
B|---------5-------5---     B|---------7-------7---
G|-------5-------5-----     G|-------7-------7-----
D|-----7-------7-------     D|-----9-------9-------
A|---7-------7---------     A|---9-------9---------
E|-5-------5-----------     E|-7-------7-----------
   up ↓  down ↑   rest       same shape +2 frets

3 · Pentatonic roll

Am box 1 at fret 5. On each string pair: pick–hammer–pull. On G–B, roll the index at fret 5 (one fingertip, two strings). Pick hybrid or a tiny sweep on the roll — choose once and keep it.

Model: slow · 4 loops · unpicked notes as loud as the pick attack

e|-------------------5---h---8---p---5---
B|-----------5---h---8-------------------
G|---5---h---7---p---5-------------------
D|---------------------------------------
A|---------------------------------------
E|---------------------------------------
   pick  hammer pull     roll index 5→B

4 · Economy fives

Five notes of G major on the bass strings. Economy = follow through on string changes. Ascending starts on a downstroke; descending starts on an upstroke (the awkward one). Lesson path: Economy · fives · Economy lab.

Model: slow · 4 loops · up then down each time

e|---------------------------------
B|---------------------------------
G|---------------------------------
D|---------------------------------
A|-------------2---3---5-----------
E|-----3---5-----------------------
         ↓ ↑ ↓  ↓ ↑   up

e|---------------------------------
B|---------------------------------
G|---------------------------------
D|---------------------------------
A|-------------5---3---2-----------
E|-----5---3-----------------------
         ↑ ↓ ↑  ↑ ↓   down (start upstroke)

5 · Selective cell

Hammer from nowhere on G (5, then 7), then pick B twice (5, 8). Palm mute the whole cell. Percussive, not pretty. Eyes on the picking hand for the two hits.

Model: slow · 4 loops · heavy P.M.

e|---------------------------------
B|-------------------------5---8---
G|---5---h---7---------------------
D|---------------------------------
A|---------------------------------
E|---------------------------------
   h=from nowhere (no pick)  pick pick
   |----beat----|----beat----|

6 · Hybrid open

Outline Am, then C. Pick (muted) on A, middle finger on open G, pick on D. Same right-hand map; only the left-hand bass note moves (0 → 3).

Model: slow · 4 loops · Am then C each loop

Am                         C
e|--------------------------------------------
B|--------------------------------------------
G|---0-------0----------------0-------0-------   m = middle finger
D|-------2-------2----------------2-------2---   pick
A|---0-------0-----------3-------3------------   pick, mute bass
E|--------------------------------------------
   pick m pick m pick pick   (same RH on C)

7 · Triple mix

Three techniques, one cell, no pause between them: legato on G, alternate on B, economy across G–B–e. The join is the drill. Warm the pieces on Alternate, Economy, and Sweep before looping the mix.

Model: slow · 4 loops

e|--------------------------------
B|--------------------------------
G|---5---h---7---p---5------------
D|--------------------------------
A|--------------------------------
E|--------------------------------
   legato on G
e|---------------------------------
B|-----------------5---8---5---8---
G|---------------------------------
D|---------------------------------
A|---------------------------------
E|---------------------------------
   alternate on B
e|---------------5----------------
B|-------5------------------------
G|---5----------------------------
D|--------------------------------
A|--------------------------------
E|--------------------------------
   economy across G–B–e

8 · Pedal doubles

Open low E as pedal. On A: two picks on each neighbour fret (2, 3, 5, 6, 7), then back to open E. E harmonic minor colour. Jump over the D string — do not plow through it.

Model: slow · 4 loops · alternate pick every note

e|-------------------------------------
B|-------------------------------------
G|-------------------------------------
D|-------------------------------------
A|-------------2---2-------3---3-------
E|---0---0-------0---0-------0---0-----
   pedal  neighbour×2  pedal  neighbour×2  … (5, 6, 7)

9 · Octave tap

Hold open Em. Tap twelve frets above (octave), release so the fretted note speaks. Watch the tapping hand. As the tap lands, the lower finger lifts.

Model: slow · 2 loops (long cell)

low E held at 0 — tap pattern on one string first:
E|---0---T12---0---T12---0---
    hold  tap   release

Full shape (tap frets = held + 12):
e|-12p0-  B|-12p0-  G|-12p0-  D|-14p2-  A|-14p2-  E|-12p0-

10 · Sweep jump

Am sweep to the treble, but the last two notes are hammered so the pick can jump back to low E for the next loop. Then the same at fret 6 (B♭ major — major third). Build the path on Sweep picking.

Model: slow · 4 loops · mute unused bass if gain is high

Am — pick sweeps up; hammers free the pick hand
e|-------------------------5---h---8---
B|-------------------5-----------------
G|-------------5-----------------------
D|-------7-----------------------------
A|---7---------------------------------
E|-5-----------------------------------
   pick to here ↓  hammers while pick jumps to E

Practice note

How long: 8–10 minutes. One wake-up, one cell for most of the time, then a phrase on Improv or Lead so the twitch turns into music.

Listen for: even volume, and a pick that does not panic on the reverse or the jump.

Common mistake: stacking all ten in one sitting. That is a new rut.