Nāṭyaśāstra, rasa

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6.24

Nāṭyaśāstra (नाट्यशास्त्र), rasa

लोकधर्मी नाट्यधर्मी धर्मीति द्विविधः स्मृतः ।
भारती सात्वती चैव कैशिक्यारभटी तथा
lokadharmī nāṭyadharmī dharmīti dvividhaḥ smṛtaḥ |
bhāratī sātvatī caiva kaiśikyārabhaṭī tathā

The line

The worldly mode and the theatrical mode: the mode is remembered as twofold. The verbal, the grand, the graceful, and the violent.

नेपालीमा

लौकिक रीति र नाट्य रीति, रीति दुई प्रकारको सम्झिन्छ। वाचिक, भव्य, सुकुमार र उग्र हुन्।

Where it sits

Lokadharmī (लोकधर्मी) is the way of the world. Nāṭyadharmī (नाट्यधर्मी) is the way of the theatre. The four vṛtti (वृत्ति) styles are bhāratī (भारती), sāttvatī (सात्त्वती), kaiśikī (कैशिकी), and ārabhaṭī (आरभटी). 6.25 says the drama stands in them.

Split: lokadharmī (लोकधर्मी) nāṭyadharmī (नाट्यधर्मी) dharmīti (धर्मीति) dvividhaḥ (द्विविधः) smṛtaḥ (स्मृतः) / bhāratī (भारती) sātvatī (सात्वती) caiva (चैव) kaiśikyārabhaṭī (कैशिक्यारभटी) tathā (तथा)

Sanskrit, in depth

The words

WordGrammarSense
lokadharmī (लोकधर्मी)nominative singularas this verse uses the word.
nāṭyadharmī (नाट्यधर्मी)nominative singularas this verse uses the word.
dharmīti (धर्मीति)form in the lineas this verse uses the word.
dvividhaḥ (द्विविधः)nominative singularas this verse uses the word.
smṛtaḥ (स्मृतः)nominative singularas this verse uses the word.
bhāratī (भारती)nominative singularas this verse uses the word.
sātvatī (सात्वती)nominative singularas this verse uses the word.
caiva (चैव)form in the lineas this verse uses the word.
kaiśikyārabhaṭī (कैशिक्यारभटी)nominative singularas this verse uses the word.
tathā (तथा)indeclinableso, in that way.

Sanskrit in this line

The quarters run 16, 16 syllables. A hyphen in the split is a compound joint, a teaching mark, and the voice joins it.

Say it back

Cover the English and say the line in one sentence. The worldly mode and the theatrical mode: the mode is remembered as twofold. The verbal, the grand, the graceful, and the violent.