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7.121
Nāṭyaśāstra (नाट्यशास्त्र), rasa
एवं रसाश्च भावाश्च व्यवस्था नाटके स्मृताः ।
य एवमेताञ्जानाति स गच्छेत्सिद्धिमुत्तमाम् evaṃ rasāśca bhāvāśca vyavasthā nāṭake smṛtāḥ |
ya evametāñjānāti sa gacchetsiddhimuttamām
The line
Thus the rasa (रस) states and the bhāva (भाव) states are remembered as an arrangement in a play. The one who knows these goes to the highest success.
नेपालीमा
यसरी रस अवस्था र भाव अवस्था नाटकमा व्यवस्था भनेर सम्झिन्छन्। यिनलाई जान्ने मानिस सर्वोच्च सफलतामा पुग्छ।
Where it sits
Closes the seventh adhyāya (अध्याय). Siddhi (सिद्धि) is the success 6.26 divided into divine and human. The arrangement is the eight, the bracketed ninth, the forty-nine states, and the sūtra (सूत्र) that joins them.
Split: evaṃ (एवं) rasāśca (रसाश्च) bhāvāśca (भावाश्च) vyavasthā (व्यवस्था) nāṭake (नाटके) smṛtāḥ (स्मृताः) / ya (य) evametāñjānāti (एवमेताञ्जानाति) sa (स) gacchetsiddhimuttamām (गच्छेत्सिद्धिमुत्तमाम्)
Sanskrit, in depth
The words
| Word | Grammar | Sense |
|---|---|---|
| evaṃ (एवं) | nominative or accusative singular | just, the same. |
| rasāśca (रसाश्च) | form in the line | as this verse uses the word. |
| bhāvāśca (भावाश्च) | form in the line | as this verse uses the word. |
| vyavasthā (व्यवस्था) | nominative singular | as this verse uses the word. |
| nāṭake (नाटके) | locative singular, or a sandhi of the nominative | as this verse uses the word. |
| smṛtāḥ (स्मृताः) | nominative plural | as this verse uses the word. |
| ya (य) | form in the line | as this verse uses the word. |
| evametāñjānāti (एवमेताञ्जानाति) | form in the line | as this verse uses the word. |
| sa (स) | form in the line | as this verse uses the word. |
| gacchetsiddhimuttamām (गच्छेत्सिद्धिमुत्तमाम्) | genitive plural, or accusative singular feminine | as this verse uses the word. |
Sanskrit in this line
The quarters run 16, 16 syllables. A hyphen in the split is a compound joint, a teaching mark, and the voice joins it.
Say it back
Cover the English and say the line in one sentence. Thus the rasa (रस) states and the bhāva (भाव) states are remembered as an arrangement in a play. The one who knows these goes to the highest success.