6.10
Nāṭyaśāstra (नाट्यशास्त्र), rasa
रसा भावा ह्यभिनयाः धर्मी वृत्तिप्रवृत्तयः ।
सिद्धिः स्वरास्तथातोद्यं गानं रङ्गश्च सङ्ग्रहः rasā bhāvā hyabhinayāḥ dharmī vṛttipravṛttayaḥ |
siddhiḥ svarāstathātodyaṃ gānaṃ raṅgaśca saṅgrahaḥ
The line
The rasa (रस) states, the bhāva (भाव) states, the modes of acting, the two dharmī (धर्मी), the vṛtti (वृत्ति) styles, the regional ways, success, the notes, the instruments, song, and the stage: that is the summary.
नेपालीमा
रस अवस्था, भाव अवस्था, अभिनयका प्रकार, दुई धर्मी, वृत्ति शैली, क्षेत्रीय रीति, सफलता, स्वर, वाद्य, गीत र मञ्च, त्यो सार हो।
Where it sits
Eleven heads. This book sits the first two, rasa (रस) and bhāva (भाव). The notes, the instruments, and song are 6.27ab through 6.30. They are the chapter's own door toward the instrument.
Split: rasā (रसा) bhāvā (भावा) hyabhinayāḥ (ह्यभिनयाः) dharmī (धर्मी) vṛttipravṛttayaḥ (वृत्तिप्रवृत्तयः) / siddhiḥ (सिद्धिः) svarāstathātodyaṃ (स्वरास्तथातोद्यं) gānaṃ (गानं) raṅgaśca (रङ्गश्च) saṅgrahaḥ (सङ्ग्रहः)
Sanskrit, in depth
The words
| Word | Grammar | Sense |
|---|---|---|
| rasā (रसा) | nominative singular | a rasa, a taste. In this book, what the spectator tastes. |
| bhāvā (भावा) | nominative singular | a bhāva (भाव), a state. |
| hyabhinayāḥ (ह्यभिनयाः) | nominative plural | as this verse uses the word. |
| dharmī (धर्मी) | nominative singular | as this verse uses the word. |
| vṛttipravṛttayaḥ (वृत्तिप्रवृत्तयः) | nominative singular | as this verse uses the word. |
| siddhiḥ (सिद्धिः) | nominative singular | as this verse uses the word. |
| svarāstathātodyaṃ (स्वरास्तथातोद्यं) | nominative or accusative singular | as this verse uses the word. |
| gānaṃ (गानं) | nominative or accusative singular | song. |
| raṅgaśca (रङ्गश्च) | form in the line | as this verse uses the word. |
| saṅgrahaḥ (सङ्ग्रहः) | nominative singular | a summary. |
Sanskrit in this line
The quarters run 16, 16 syllables. A hyphen in the split is a compound joint, a teaching mark, and the voice joins it.
Say it back
Cover the English and say the line in one sentence. The rasa (रस) states, the bhāva (भाव) states, the modes of acting, the two dharmī (धर्मी), the vṛtti (वृत्ति) styles, the regional ways, success, the notes, the instruments, song, and the stage: that is the summary.